its with great pleasure that we announce this split ep from these two true music masters: nicholas and simoncino! it looks like these italians never eat pizza and pasta, never go to the beach, never watch calcio and never date some nice italian girls. they are music obsessed and prefer being in their studios and produce authentic oldschool house. for anyone who likes a deep, analogue synth heavy groove and is into disco and chicago, this ep is for you. forza italia!

new kanada wades deep into the white waters of bass for this black summerdub. >my best dress< is a tough, confident jacker with awesome, mystic vocals by rosina of lal. 808 thumps, moog whispers, and a serious cr78 swing – nicholas murray (aka murr) really massages the mixing board on this one, and the resulting production shimmers with unexpected aggression. adams remix extends the raw groove into a 12-minute journey that beats the wooden floorboards into pleasant submission. disco hats, b52 bass lines and suburban base drops – the new feel for the old style. new kanada goes blue.

recloose is back with a state-of-the-art house 12 inch. two refreshing house tracks on the a side, and a banging heavy one on the b that-s leaning towards electro. the recloose as we once knew him is back. glorious! -saturday night manifesto- is his first new output in three years. it was well worth the wait, the music at hand here is truly mesmerizing.the ep shows a night out recloose style. it starts out smooth and mellow with -electric sunshine-, a heartfelt future soul piece. it then moves on to the bumping groove of -parquet-, a shaker that carries that signature recloose funk. it closes out the night with -tecumseh-, a dirt-deadly primetime mover that opens up halfway and make you want to reach for the stars and then some. with -saturday night manifesto- recloose delivers a classic ep that reminds us of his -spelunking ep-. yes

the more perceptive among you will no doubt twig the musical direction of an ep entitled >the deepness< by 2deepsoul before the needle even hits the groove. if you hoped it was going to be brimming with ocean deep grooves and burning chords - deep house in the truest sense - then youd be right. malcolm moores altered moods recordings brings us the debut release from 2deepsoul, aka rai scott and brad peterson, who set their stall out with a title track dripping with moody synths and hypnotic drums n hats. >escaping insanity< meanwhile is underpinned by a delicious acid line - perhaps the most outright floor-friendly track on this here 12inch. the metronomic pulse of >harmony< is augmented by a majestic one note synth loop that gently soars above - a rasping hat soon joins the fray along with the gentlest of string flourishes. >continuance (theory of lazy clap)< is equally bewitching, with a title and arrangement that wouldnt sound out of place in the dj sprinkles catalogue<

shack music celebrates its 5 year anniversary with a series of previously deleted or unreleased material and existing catalogue from the vaults with re-edits and remixes for 2011.on this limited 12 inch sampler shack music highlights its success in unearthing rocco of rodamaal fame as a solo artist with his debut release >heartbeat< originally released in 2006 remastered for 2011. a true deep house gem that has found that perfect balance between deep house and the origins of tech house. the 2nd track of the ep features two of the most sought after producers of recent years in demarkus lewis and mr v of sole channel music. the dubstrumental mix of >untitled love affair< sees for the first time the light of day on wax that has seen support from djs as diverse as dinky (musica libre, cocoon), sascha dive to dennis ferrer. rounding off the package on the flip comes from label head soy mustafa with an exclusive appearance to the 5 year comp and this sampler entitled >dub state of mind<. this b-side track is a straight up hidden gem relentless in drums both dubby and groovy with an incessant synth line that automates in and out of the groove thats almost subtle but infectious at the same time…a proper deep summer tune!

norm talley is delivering some heat on delano smiths mixmode records! norm, known for his awesome tracks on trackmode, third ear and the detroit beatdown series, drops 4 dope detroit house tracks with different vibes! powder and more powder are the peak hour house tracks with classic chords and a steady uptempo groove. then we got two beatdown tracks lost and private party that both stand out.

self defence returns in full effect with new yorks one and only dj dukes (of sex trax / power music fame) >summer madness ep<. dj duke had retired from the music front for a while, after he had about 300 records emerged after his >blow your whistle< blew up in 1993 and during the past few years. with releases dating back to 1990, you know the mans got skills aplenty, and they once again get a killer workout on this ep. each of the tracks shows a different side of his music-making and rewards ones time and attention, demonstrating that duke plays in his own league of house music. a bit of curry flavour seeps into >summer blast< by way of a sinuous string melody, adding an exotic tinge to the breeziness that otherwise infuses the cut. a funky, vibes-like motif and analog synth streams bring additional colour to the scene while a crisp, pumping groove locks everything solidly in place

supported and played by: seth troxler, anja schneider, adultnapper, anthony collins, audiofly, daria, deetron, franck roger, julien chaptal, kabale & liebe, lee jones, marco resmann, matt star, silicone soul, stacey pullen, .... the yangango ep shows you two faces. on the a side with the deeper cut >too big to fail< and on the b side through the bassline driven and euphoric title track >yangango<. both tunes are quite complex and geniusly arranged and at one point you can fly away on their crazy dynamic. the digitaline edit of >too big to fail< puts a new groove in front, takes it a bit more on the tooly side and highlights the fantastic synth work of the original mix.

decks tipp track 4 ... this coloured edition with spezial coverartwork is a ltd repress... the ep proposes an interesting track-list from deep ambient to rolling housy dark groove with the single don t change (original mix) ..where the fresh vocal line leads to a magic journey on the 44 beat bringing the vibe from the underground club-movement in istanbul (tk) one of the most intersting cities in europe at the moment. this time remixed by hugo (mobilee, trapez, 2020 vision) and mussen,emerging label manager and producer from milan supported by: deepchild, hugo, dapayk, someone else, minicoolboyz, mussen...

your imagination paints the picture as these sounds creep into the alleys of your mind … midwest maestros gmarcell (chicago) and keith worthy (detroit), get together on this one to create sublevel mayhem …. this is underground … this is deepness … this is: the rise of the dijital teknobots!!!!

autist records showcases italys house music wunderkind luca d arle. the artist who has been featured on a recent various artist 12 inch release alongside with hugo on atv004 is now back with a complete solo e.p. strictly limited to 300 pieces, this 12 inch edition features four wonderfully emotional and epic house tracks, all with a special feel-good vibe. could be the sun of southern italy, or the mediterranean sea or maybe its simply the wonderful and unique nature of luca d arle himself that let this record really shine. big record

excellent selected four track vinyl sampler with serious upper class deep house / vocal house

some of the worlds greatest djs play his tracks, some ofthe worlds greatest producers request his services as a remixer and for years his music has featured on world renowned labels. none the less, peter horrevorts has stayed in the background whilst studying modern musicproduction at the rock academy, evolving and developing into the artist he is today. he released on numerous labels like kanzleramt, trapez, ec records, global undergound , gem records and of course be real and bla bla . he also did countless remixes for labels like bush, weave music, tronic and many more. his previous release on be real recordings, the love from above received excelent feedback and was played and loved by many djs. also his track on the recently released bla bla spring sampler did some serious damage on many dancefloors with this unresistable groove and funk in his music be real is very proud to welcome peter back for his second ep on be real with 4 brand new tracks

what a day indeed! fresh blood on the label puts a smile on our faces. this young italian had us dancing from first demo and here is the finished result. welcome to the family riccardo! deep, sexy grooves with that vital element of funk weare always on the hunt for. a modern sound palette sporting percussive grooves, vocal snippets and soulful harmonies. the title track comes with a rolling bass line, disco licks and an organ hook to get the groove on. typinic on the flip is built beautifully around vocal stabs, filtered keys and floating harmonies. the sound is very personal and riccardos mature sense of arrangement and room is impressive. quality deep all the way! equally exciting is our rmx pack from up?n coming producers mario aureo out of berlin and dimitri andreas hailing from brussels. mario turns up the heat on the title track with a firm beats package and very tasty use of the original keys. a true viber now, irresistibly funky. dimitri takes typinic to peak territories with a shufflesque groove, thick bass and sax stabs. just wait for the drop

10 releases strong, poker flat digital has become an important wing of steve bugs acclaimed, cutting-edge label. determined to keep quality levels as high as ever and offer yet more choice to the labels fans, a heavyweight cast starred in this latest chapter of the poker flat story. this special 12 inch release gathers 4 of the highlights from the labels catalogue so far.

die 4 herren der harten schule zeigen was die heute noch alles drauf haben ... the quartet don?t just push all the right leftfield buttons and bling the tweak fantastic, they also reinvent the contemporary groove and find funk in the freak. superb stuff that defies classification ? just like the producers themselves.

yes, a deep and soulful release by the bittersuite crew. on this three tracker you will find the soulful groover life cycle, a great uplifting summer vibe with catchy bass line, chords and percussions. will def. move the deep house heads.on the flip you have the tracks blockhead and blueprint. blockhead with deep, deep pads and its distict bass line combined with a >in your face< banging kick drum, could be described as nothing less than a masterpiece. will def. be banging your system. the track blueprint is something for the late hours, on point peak time business. with a distinct groove to die for, nothing can go wrong with this bad boy

new label by third ear records and what a cool first release!!! groovemental is bringing explosive jazz versions of two classic dance tracks! side x: dumb machines version of theo parrish,s falling up is based on the carl craig version of the track rather than the version recorded by theo. one of the biggest house tracks of the 2000s and a recognised classic. dumb machines have introduced words. the word falling is intoned throughout the track and the second stanza from louis macneice,s poem snow is recited. side y: written by tori amos. dumb machine,s version is based on the armand van helden remix. he created an irresistible dance groove, selected a few choice vocal samples, which became part of the clubbers lexicon, to create one of the biggest dance records of the 90s. dumb machines have gone back to tori amos lyric, taken various lines from the lyric and cut and pasted them together. two very inspiring jazz tracks for the house and techno generation, and for everyone else too of course! been on high rotation since we got it in stock!! recommende

the brilliantly monikered big strick - familial elder to omar s and responsible for the odd killer release on his younger cousins fxhe imprint - belatedly sates the appetite of record collectors keen to indulge in his recent album detroit heat with a six track selection of the choicest cuts spread across this twelve inch. seemingly drawing influence from a myriad of motor city influences, detroit heat impressively flits between murky deep house, tracky techno and hypnotic jack-tracks. like many of his contemporaries, strick is a sucker for cement mixer production - that distinctly detroitian sound where every beat, groove or bassline sounds like the master tapes have been marinated in grit. that trademark sound, alongside a solid selection of floor-friendly grooves, makes detroit heat an excellent addition to the motor city house canon. the rubbery spinal atmospherics of >under tone< and the tony coates vocally assisted jack of >maybe 1 day< are particular highlights!

new release on qalomota records with the main group joyful noise. we can say that we have douzens of unreleased tracks of joyful noise. so we decide to present you this project with one unreleased track >drive in< made in 2002 this track represent the real essence of the group. soul, jazz touch in one fucking deep house track. for the joyful noise followers who like this smooth touch in house music. b side is also an old tracks but never release on vinyl. your soul, my soul, two mixes, like it says in their names, one for the morning with piano and happy feeling touch and one for the evening with groove and dancefloor definition. once again a classic release in qalomota records catalog!!!

four veteran detroit creators, individually accomplished and respected. each, a producer / performer / dj with a long history of deep, inspired, electronic and accoustic music, so innovative, to spawn a genre all its own. soiree records proudly showcases these melodious, technological, architecs on the first installment of detroit: deepconstructed. drivetrain leads off with driven. multifunctional and intelligent this one was constructed from the floor up, genuine and raw. throbbing rhythm and harmonious pads generate the perfect ambience for the signature vocal proclamation. next up, dorian gigís, the james herbert theory is a courageously deep, tech flow. gigs solid detroit influence clearly takes centerstage. thick, fat chords atop a flanged hi-hat move the air while the syncopated riffs fill the groove. dwayne jensen returns from a long departure with i see the sun light. reflecting jensens untold late night, underground experiences.this crafted pulsating, solid house swing inserts a hypnotic vocal chant for total authenticity. new to soiree records, but a known novice and powerhouse to the cause, malik alston’s offering is dance jazz. showing off some extraordinary piano chops, backed-up by a mental sax riff, alstonís unyeilding bassline and acid blips will not disappoint the dance floor. detroit: deepconstucted is music undefined from a place where music does not compromise.

pattern select aka milton jackson and show-b have gone well and truly back to the raw on this, their first collaborative work together and debut ep for delusions of grandeur. both producers have been busy on some top quality projects just recently with milton jackson remixing recloose for planet e and show b producing for robert owens on compost. the pair met at a party in munich, promptly fell in love, and soon enough pattern select was born. kicking off tale of the tape sees the pair go deep n dark on this low-slung groove where demonic laughter rides the driving hats and insesant crashes until the filtering arpeggiated synth line joins the fun. tale of the dub gives us a stripped back, dub-infused version which goes a little lighter on the craziness of the first version but without losing any of the deep, hypnotic funk.

franksen & tom wax, two of the main characters of the frankfurt house scene releases there second bomb on amusedrecords. smoker is an realy hypnotic deep tech house track with some progressive house elements in it. cant control it on a2 is the most housy track on this ep. classical house elements like hi strings, vocals, analog cords meets a massive tech house groove. just like this on b1 is the most drum oriented track on this phatt ep. absolutly a massiv clubtrack that will rock your floor!

following his two recent singles on scubas hotflush recordings, london based george fitzgerald is back with his much-anticipated third release and his debut for aus music. titled silhouette, the three-track ep includes two originals and a remix from american producer john roberts. fitzgerald once again manages to create a world in which garage, dubstep, house, r&b and a host of other musical influences happily co-exist. on silhouette hints of warm acid, layered oscillating synth lines, propulsive beats and fitzgeralds signature use of vocal samples make this a peak time affair, albeit an incredibly lush one. reset is eight minutes of forward thinking uk garage combined with the melodic sensibilities of detroit techno. for the silhouette remix, roberts develops a relentless broken groove, occasionally punctured by brief piano interludes that recall the sounds of his 2011 debut full-length on dial records, glass eights. a breathtaking remix that sounds like nothing else out there at the moment. in addition to silhouette, fitzgerald currently has remixes out for french house producer brawther on secretsundaze and uk bass artist throwing snow, as well as an upcoming ep on hotflush and a track on the labels recent compilation, back and 4th. this year will also bring the founding of man make music, a new label fitzgerald is starting with friends.

after his last ep on stil vor talent in 2009, born-and-bread berliner sascha braemer is now back with three fresh tracks for the spring of 2011. in the meantime, his funky minimal jump-up tech-house has led him to release on labels as prolific as kindisch or dirtybird. things kick off with >belle<, a ferocious attack on your groove muscles and dancing bones. this tune glides as softly as the wings of an angel while shaking you around like a giant would a dwarf. the up-beat groove is based on a great cut-up vocal sample and some animating synthesizer stabs. sweet! then, >felicitous<, which is considerably slower than the previous two tracks. still, the vocal on this one and the deep electronic body come together perfectly to form a deep and dirty suckerpunch to your euphoria synapses. last up is >people< keeps the effected vocal approach and that really makes this tune. imagine a super deep bassline, some wonderfully syncopated hi-hat trickles and a constant groove to underline the power of the vocal. this track is club pop - so deep and yet so magic it will run shivers down your spine on the breakdown. sascha braemer seems to have put all his experience of peak-time club moments to early morning afterhour visions into his own transcript of signature sound. this is not be mistaken, this is simply on-point

it is time for summer and saobi records is proud to announce another new release by our friends together on a strictly limited 12 inch, containing tracks by santi, doslive, giovanni damico, with three excellent deephouse / techhouse groover tracks with a lots of groove and intoxicating voices that will be the key ingredients for this great summer ... enjoy the music!

patrick lindsey is no new comer . active in the techno world since more than a decade , releasing music on labels like terminal m , kanzleramt , kling klong , sci_tec to name a few . so when davide squillace and luca bacchetti received a demo from the german producer , they were really impatient to open the zip file and discover what was inside . the two discovered a four track ep full of analogue synths , organic beats and grooooove . so here is hideout ninth reference : get up and bounce ep by patrick lindsey . it all starts with > what i remember < a very strong anthem with a disco funk loop background and deep vocals by k. mason. the title track > get up and bounce < is next with its hypnotic >get up< voice snipet on top of a shuffled semi acoustic groove full of cow bells and snare drums. third track of the ep is named lockruf , evolving from a jazz sample thru vocal snipets , crazy drum rolls and saxo hooks. the last track of the ep is schleifkraft where a straight to the point chicago groove is topped with some more vocals , a very bouncy bass line and analogue synth sounds . a new reference in the hideout catalogue , four new techno tracks soon to become classics !

fantastic limited reissue of this amazing self-titled afro-funk lp from ghanaian singing and percussion star sidiku buari. originally released in 1975, this super-rare album features an all-star cast of top funk instrumentalists playing alongside buari and boy does it show! blending heavy african rhythms with funky disco grooves, the arrangements and the playing are incredibly tight and the album is chock-full of killer tracks including advice from father (sampled by everyone from kenny dope to groove armada) and ku ka maria with its intense funky breaks and awesome drumming from legend bernard ‘pretty’ purdie, which made these tracks huge on the b-boy/breaking scene also. other stand-out tracks include the wonderful disco-tinged afro monsters karam bani and iro le pa plus the cool laidback groove of them yebtheget. top class!

cisco cisco reappears on the spanish label apersonal music with more nudisco quality from the portuguese duo. 2 original tracks, higher the perfect weapon for the techydisco lovers and brothers in arms freshing up the release with an enchanting laid-down groove. a solid offer that reaffirms the promising relationship between this rising artist and apersonal, under which they debuted last year. apersonal always has excellent offers on the remix department. so its no surprise to see names as greg wilson on their catalog, a producer regarded as one of the most important figures on the uk dance scene. remixing higher he gives a different edge and tempo to the ep, with a faster version for the higher times.

dj t.s pleasure principle immersed itself, wholly and rapturously, into electronic musics legacy of soul, and helped to usher in a new period of groove-heavy deepness. like an antidote to clinical club sounds, album standout tracks like sense inject some well needed groove into the dancefloor. the maxi version of sense partners faraway melodies with james teejs breathy vocals that get up close and personal. a deep electro funk bass riff establishes its intent, and snaky percussion leads to a more structured house beat. piping flute sounds and drum echoes add an element of swing, while analogue handclaps and the tracks distinctive bass line recall its retro pedigree. newcomers tale of us continue their journey into dark minimalism, with a remix that isolates the percussion and vocals, shrouding both in reverb for maximum atmospheric effect. a sense of unease pervades through the saturated bassline and slow delayed handclaps, creating frosty mists and dark corners within the synth-tech house arrangement. hot natured duo lee foss and jamie jones next bring their sunny midas touch to the proceedings. teasing out the intro with high hats and layered vocals, a sense of anticipation is high. it blooms into sleek, skittering beats and otherworldly sounds, with a bass line thats been cut & paste back into place, before it delves deeper into a menacing deep bass synth rumble. the club version begins with a kick, deep echoes and meek percussive sounds that loop upwards through the scale. the distinctive bass line and handclaps begin, then teejs unadulterated vocals are pushed to the fore. brittle metallic synth flares appear from below the bass-heavy beat and recede again, ending in an electro-disco retro groove

jin choi is a musician, producer, dj and live artist based in berlin, germany. equally focused on groove and melodic structures, his music fuses electronic and naturalistic sounds to move the head and body. once coined modern minimal, chois productions are equal parts emotion, melody and rhythm. full range is his first release on serialism records. in a recent interview, choi described himself as a burial loving music-nerd who is simply trying to create his own musical language. he has released on lessizmore, contexterrior, romanphoto & archipel, to name a few. for ser10, he joins forces with maceo plex (aka maetrik, the moniker he saves for his darker techno productions) to do just that. most known for his recent revered deep-house single, vibe your love on crosstown, plex makes the release the perfect late-night tool. first up is full range, a dubby tech-house number with ominous and increasingly glitchy repetitive vocals that remind the listener of what choi seems to already know - music is the universal language, music is no longer irrelevant. next, half baked, the eps star, manages to perfectly fuse industrial sounds with melody making a blissed-out, deep- house track. mysterious squeaks, hisses and factorial inner workings provide the backdrop while warm time-stretched freestyle vocals guide us through the production. maceos deep remix is around 9-minutes of chicago house inspired sounds layered with snappy high hats and emotive chords.

returning for a fourth ep on the label, berlins nick höppner continues his exploration into an ever-developing and rich production vocabulary. the rough goes with the smooth in perfect harmony on -a peck and pawn-. höppners unique sound design leads to a dense wash of sound sparkling with airy details and his characteristic sub bass subtleties, as the whole track gels together in a pushing modern house triumph. the spaced out and traveling -she parked herself- is a real fusion of the many influences behind the producers inspiration. bubbling percussion and pretty melodic structures fuse with a melting analog bassline in this high-tech and positive jam. with its heavy bass and late-night atmospheres -swivel flick- slows the pace in a warm, dubbed and droning thinkpiece that is just as cinematic as it is direct for the club. jostling just beneath the surface youll find a wealth of details that really shows off nicks talent and dedication to a non-standard groove

remixes by serge santiago and sonic groove. taken from the avh album >new york: a mix odyssey<.

a1: the ghetto - tremendous edit which has been subject to some huge soundcloud loving. over 9000 plays and 500 favourites and counting! this track takes the basis of the original sample, adding some love with a heavy beat and groove, shuffling percussion. the soundcloud feedback cant be wrong! top track!
b1: for the love of soul - great original track, this suonho reloved version is even better! given a heavy beat, re-arranged and some brilliant percussion. this track really flows, proper groover!

for more than a year, third ear and benjamin have been selecting tracks for this ep and for an album to follow later in the year. the wait was largely due to the track no kicks, which initially used a chuck d acapella, titled no. when third ear couldn?t get clearance for the acapella, we suggested to benjamin that we try and think of another poet/rapper who could produce an original lyric inspired by chuck d?s flow. after some thought we suggested diamondancer, who was inspired to write the lyric she performs here. stay hungry stay foolish and acidic sun are delicious and dreamy, with a fat pulsing groove. hello ammmerika is more urgent, pushing the groove constantly.

after a short hiatus, the highly sought after hot natured re rubs series is back. forth in the series features four great re-edits by jamie jones, lee foss, miguel campbell and richy ahmed & s.a.s. richy and sas open the proceedings with a dirty ass slice of downtown funk and street hip hop, lee foss (modern amusement) slows the pace down and get’s stuck in to a sick 80s jam. on the flip and jamie jones delivers a perfect disco summer groove, whilst miguel campbell delivers another 80’s inspired killer! its gonna be one hot summer at hot natured mansions…

the revenge has quickly reached dizzying heights in recent years, conquering a style that escapes labeling and crowned the king of the edit

played by magda, sis, masomenos, robert dietz, dj sneak, brothers vibe, steve lawler, someone else, paco osuna, anthony collins... after the last two amazing releases from timos & paris liamis and matt star, catalogue number 13 is ready for take off. its the first labelsampler from the sonido-crew on vinyl – kommune 1 - with tracks from samuri, timos, jamy wing and paris liamis. get in the groove!

7 oz records co-founder goes solo for the first time on his own label. keep the faith is a two-faced release: one side is deep and soulful, while the other one is very groovy and it definetly suits the dancefloor.
the original mix plays it house with a great melodic spin. the remix has been produced by ivan iacobucci, one of the main artists of the italian house scene. his groove, enriched by and old school bassline, is ready to rock every dancefloor.

with the strains of the his bbc radio 1 essential mix still ringing in our ears and his brand new intec release >slide< romping up the sales charts, robert babicz prepares to unleash what is only the fourth release on his very own babiczstyle imprint. babiczstyle has been launched by robert as a platform for him to release some of the large archive of work that he has written for his live sets. >i see the label as a platform, where i release only my own music and collaborations. i do this to have a platform with the highest possible audio quality and have a place for me and my friends to release our music.< - robert babicz. the >nektar ep< is a four track collection of exclusively new material.
big with: seth troxler, funk dvoid, marc romboy, mauro picotto, agoria, john selway, groove armada, satoshie tomiie, okain, milton jackson, guy j, ...

from the murky manchester backstreets, the el diablos social club main man neil diablo (aka the midnight chopper alongside cohort mr masters) stalks his balearic-rock prey with a sharp eye for a groove and a keen sense of razor sharp riffing! on this outing they turn their attention away from the over-subscribed disco edit scene, instead focusing on something a bit more bearded, a bit more rock.
the first chop is the deepest ...

nice price deal !!! following on from her acclaimed debut last year on jansen jardin, yuki suzuki and producer, max essa, return with another slab of far east magic entitled >we don?t have much time<. combining yukis sultry vocal with a very muscular, bass heavy groove, the track comes across like some pitched down (way down!) early 90s nyc garage classic. big, rolling drums push the track along while some glorious strings and piano make sure, as usual, jansen jardin have something for your mind, your body and your soul. on the flipside neville watson delivers one of his finest productions to date. pushing the tempo up and dubbing things out he provides a brilliant reworking which is already causing a fuss from tokyo to berlin. moody, emotional dance music for late nights and early mornings. one limited pressing - as before - first come, first served

2011 sees the ever-prolific milyoo stretching out from his kentucky base, heading for world domination and gracing south-east londons favourite cassette library with his presence along the way. >biogram v2< locks disparate vocal fragments and found sounds into a low-down, cranky house groove, peppered with a boogie down bassline and sweeping, straight-outta-chi-town strings. for the flipside, the in-house wncl remix department selects a few choice clippings from the original to present a jam tailored for the trackheads with their feet on the dancefloor.

ernie unveils his special blend of timeless cuts exclusively on >black noise ep<.
>burning detroit< is a voyage into the abyss through a constant stream of warm pads layered with crafty percussion whereas ordell reworks >burning detroit< into a lighter afrobeat groove.
>la posse< is a fusion of underlying analogue bass stabs with raw machine drums and >terra nostra< concludes the release as a darkroom bonus cut – rolling deep into the early hours.

and here it is: the second vinyl ep of niko schwinds album >good morning midnight<. it features some of the unique tracks that niko has created together with some of berlins hottest production talents. on the a side are two tracks that feature the clicky tech-house boys that are channel x, where things kick off with >back from the bar<. it sounds as the title suggests: a little wobbly, a little drunk, a little crazy, but also pretty magic. quite clearly this is an homage to one of berlins not-to-be-forgotten clubs that is unfortunately history now. but things continue on here at least with >dont turn the lights on<, a more straightforward dancefloor track, with a trumpet as the main protagonist. this is one of those tracks that keeps leading up to a real arms-in-the-air-moment if it wasn’t so damn housy at the same time. on the flip the magical connection between niko and label daddy oliver koletzki can be heard on >master of ceremony<, a chopped-up house track with epic dimensions. when things get to the piano breakdown, they get very musical and colossal before dropping back into a great house track. the stark contrast between the piano melody and the groove on this really make it. last but not least then, the original album opener >good morning< that features the singing of fran. it works great as a great album opener, but also perfectly as a slower and more thoughtful addition to a great ep

debut release for duo altarboy and wonder wet records which are together two of the best recognized realities in roma. they show up at your door without knocking, stepping up with an excellent single. sophisticated and intelligent sounds are their unique trademark. deep atmosphere on a solid punchy groove. warm bassline sticks together with rhythm and fine analogue synth. caspy cousins get fun with their vox samplers on both tracks. this single is definitely for smart dancefloor. for sure you will re-listen it the day after and again and again.. really well done!

its just over a year ago that the producer duo dance disorder were celebrating their illustrious bpc debut with the epic italo-dance-inspired hit >zusammen<. now the show must go on - with >metallic italic< georgina fernandez, aka baby g, and robin crafoord are exceeding the path of consistency from the lead out groove of their last record to the point that even crosstown rebels label boss damian lazarus discovered >metallic italic< for his upcoming mix cd >get lost 4<!